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dc.contributor.authorKarlsen, Joakim
dc.date.accessioned2017-08-30T12:51:03Z
dc.date.available2017-08-30T12:51:03Z
dc.date.issued2016
dc.identifier.citationView : Journal of European Television History and Culture. 2016, 5 (10), 40-51.nb_NO
dc.identifier.issn2213-0969
dc.identifier.urihttp://hdl.handle.net/11250/2452433
dc.description.abstractIncentives to develop non-fiction transmedia projects have recently challenged the work practices of independent documentary filmmakers in Norway. However, research on documentary films has only minimally captured the emerging practice of making non-fiction transmedia. Based on an interview study undertaken in 2012/2013 and reflections on contributing to a recent non-fiction transmedia project, I find that the emerging practice faces many of the same challenges as the participative documentary practice of the 1970s, mainly that the facilitation of audience participation requires a break from the broadcasting logic of independent documentary film work.nb_NO
dc.language.isoengnb_NO
dc.subjectNon-fiction transmedianb_NO
dc.subjectIndependent documentary filmnb_NO
dc.subjectArt worldsnb_NO
dc.subjectPracticenb_NO
dc.subjectParticipative documentarynb_NO
dc.titleAligning participation with authorship: independent transmedia documentary production in Norwaynb_NO
dc.typeJournal articlenb_NO
dc.typePeer reviewednb_NO
dc.source.pagenumber40-51nb_NO
dc.source.volume5nb_NO
dc.source.journalView : Journal of European Television History and Culturenb_NO
dc.source.issue10nb_NO


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