dc.contributor.author | Karlsen, Joakim | |
dc.date.accessioned | 2017-08-30T12:51:03Z | |
dc.date.available | 2017-08-30T12:51:03Z | |
dc.date.issued | 2016 | |
dc.identifier.citation | View : Journal of European Television History and Culture. 2016, 5 (10), 40-51. | nb_NO |
dc.identifier.issn | 2213-0969 | |
dc.identifier.uri | http://hdl.handle.net/11250/2452433 | |
dc.description.abstract | Incentives to develop non-fiction transmedia projects have recently challenged the work practices of independent documentary filmmakers in Norway. However, research on documentary films has only minimally captured the emerging practice of making non-fiction transmedia. Based on an interview study undertaken in 2012/2013 and reflections on contributing to a recent non-fiction transmedia project, I find that the emerging practice faces many of the same challenges as the participative documentary practice of the 1970s, mainly that the facilitation of audience participation requires a break from the broadcasting logic of independent documentary film work. | nb_NO |
dc.language.iso | eng | nb_NO |
dc.subject | Non-fiction transmedia | nb_NO |
dc.subject | Independent documentary film | nb_NO |
dc.subject | Art worlds | nb_NO |
dc.subject | Practice | nb_NO |
dc.subject | Participative documentary | nb_NO |
dc.title | Aligning participation with authorship: independent transmedia documentary production in Norway | nb_NO |
dc.type | Journal article | nb_NO |
dc.type | Peer reviewed | nb_NO |
dc.source.pagenumber | 40-51 | nb_NO |
dc.source.volume | 5 | nb_NO |
dc.source.journal | View : Journal of European Television History and Culture | nb_NO |
dc.source.issue | 10 | nb_NO |