dc.contributor.author | Behrens, Electa Woodbridge | |
dc.date.accessioned | 2020-03-27T09:55:48Z | |
dc.date.available | 2020-03-27T09:55:48Z | |
dc.date.created | 2020-01-28T14:11:22Z | |
dc.date.issued | 2019 | |
dc.identifier.citation | Theatre, Dance and Performance Training. 2019, 10 (3), 395-409. | en_US |
dc.identifier.issn | 1944-3927 | |
dc.identifier.uri | https://hdl.handle.net/11250/2649057 | |
dc.language.iso | eng | en_US |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Internasjonal | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/deed.no | * |
dc.title | Devisers in the dark: reconfiguring a material voice practice | en_US |
dc.type | Peer reviewed | en_US |
dc.type | Journal article | en_US |
dc.description.version | publishedVersion | |
dc.source.pagenumber | 395-409 | en_US |
dc.source.volume | 10 | en_US |
dc.source.journal | Theatre, Dance and Performance Training | en_US |
dc.source.issue | 3 | en_US |
dc.identifier.doi | 10.1080/19443927.2019.1637372 | |
dc.identifier.cristin | 1784259 | |
cristin.ispublished | true | |
cristin.fulltext | original | |
cristin.qualitycode | 1 | |