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dc.contributor.authorDuckworth, Melanie Ruth
dc.date.accessioned2021-02-16T21:54:02Z
dc.date.available2021-02-16T21:54:02Z
dc.date.created2020-11-19T11:09:21Z
dc.date.issued2020
dc.identifier.citationInternational Research in Children's Literature. 2020, 13 (2), 259-273.en_US
dc.identifier.issn1755-6198
dc.identifier.urihttps://hdl.handle.net/11250/2728542
dc.description.abstractThis article explores the role that genre plays in fictional depictions of the Stolen Generations (Australian Indigenous children removed from their homes) in three twenty-first-century Australian middle-grade novels: Who Am I?: The Diary of Mary Talence, Sydney 1937 by Anita Heiss (2001); The Poppy Stories: Four Books in One by Gabrielle Wang (2016); and Sister Heart by Sally Morgan (2016). It argues that the genres of fictional diary, adventure story and verse novel invite different reading practices and approaches to history, and shape the ways in which the texts depict, for children, the suffering and resilience of the Stolen Generations.en_US
dc.language.isoengen_US
dc.publisherEdinburgh University Press; International Research Society for Children’s Literatureen_US
dc.subjectgenreen_US
dc.subjecthistoryen_US
dc.subjectAustraliaen_US
dc.subjectStolen Generationsen_US
dc.subjectAnita Heissen_US
dc.subjectGabrielle Wangen_US
dc.subjectSally Morganen_US
dc.titleGenre, History and the Stolen Generations: Three Australian Storiesen_US
dc.typePeer revieweden_US
dc.typeJournal articleen_US
dc.description.versionacceptedVersionen_US
dc.rights.holder© 2021. Edinburgh University Press.en_US
dc.subject.nsiVDP::Humaniora: 000::Litteraturvitenskapelige fag: 040en_US
dc.source.pagenumber259-273en_US
dc.source.volume13en_US
dc.source.journalInternational Research in Children's Literatureen_US
dc.source.issue2en_US
dc.identifier.doihttps://doi.org/10.3366/ircl.2020.0357
dc.identifier.cristin1849734
cristin.ispublishedtrue
cristin.fulltextpostprint
cristin.qualitycode1


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