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dc.contributor.authorLarsen, Frode Sirnes
dc.contributor.authorMoe, Harald Eivind
dc.date.accessioned2023-09-04T20:42:00Z
dc.date.available2023-09-04T20:42:00Z
dc.date.created2023-08-19T17:26:38Z
dc.date.issued2023
dc.identifier.citationJournal of Humanistic Mathematics. 2023, 13 (2), 228-279.en_US
dc.identifier.issn2159-8118
dc.identifier.urihttps://hdl.handle.net/11250/3087378
dc.description.abstractIn this article we argue that Raphael has hidden a geometric shape called a vesica piscis in his fresco The School of Athens (1510-1511). The vesica piscis, and several findings which can be interpreted as suggesting the presence of a vesica piscis in the fresco, are presented. Several of these suggestions relate to the vesica piscis drawn in the construction of an equilateral triangle in the first proposition of Euclid’s Elements. Based on findings in the fresco, we suggest that the vesica piscis should be interpreted in light of a philosophical and theological controversy which took place in Italy in the decades around 1500, between the Catholic Church and philosophers at the University of Padua.en_US
dc.language.isoengen_US
dc.publisherClaremont Center for the Mathematical Sciencesen_US
dc.titleCould Raphael’s School of Athens Contain Hidden Geometry?en_US
dc.typePeer revieweden_US
dc.typeJournal articleen_US
dc.description.versionpublishedVersionen_US
dc.subject.nsiVDP::Matematikk og Naturvitenskap: 400::Matematikk: 410en_US
dc.subject.nsiVDP::Humaniora: 000::Kunsthistorie: 120::Maleri, tegning, grafikk: 122en_US
dc.source.pagenumber228-279en_US
dc.source.volume13en_US
dc.source.journalJournal of Humanistic Mathematicsen_US
dc.source.issue2en_US
dc.identifier.doi10.5642/jhummath.SCYQ4586
dc.identifier.cristin2168115
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode1


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